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	<title>Comments on: French copyright law &#8216;uncertainties&#8217;</title>
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		<title>By: Reader's Write</title>
		<link>http://www.p2pnet.net/story/10794/comment-page-1#comment-131611</link>
		<dc:creator>Reader's Write</dc:creator>
		<pubDate>Fri, 22 Dec 2006 20:54:54 +0000</pubDate>
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		<description>&quot;The problem is how can artists retain control over their work once it is freely available,&quot; 

Obviouslt Mr. Miyet asked the wrong question.

This is the right question:
&quot;The problem is how can artists be compensated for their work once it is freely available.&quot; 

If you start out with the wrong question you wll never get the right answer.

Mr. Miyet, head of the so called &quot;copyright management society Sacem&quot;  (and who really works for the music publishers, the primary exploiter of the artists along with the record companies) has  a vested interest in the answer and that is why he did not ask the right question, as the right question embarrases the &quot;keep-all-the-money&quot; music publishers.

Rafael Venegas
http://www.gvenegas.com



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		<content:encoded><![CDATA[<p>&#8220;The problem is how can artists retain control over their work once it is freely available,&#8221; </p>
<p>Obviouslt Mr. Miyet asked the wrong question.</p>
<p>This is the right question:<br />
&#8220;The problem is how can artists be compensated for their work once it is freely available.&#8221; </p>
<p>If you start out with the wrong question you wll never get the right answer.</p>
<p>Mr. Miyet, head of the so called &#8220;copyright management society Sacem&#8221;  (and who really works for the music publishers, the primary exploiter of the artists along with the record companies) has  a vested interest in the answer and that is why he did not ask the right question, as the right question embarrases the &#8220;keep-all-the-money&#8221; music publishers.</p>
<p>Rafael Venegas<br />
<a href="http://www.gvenegas.com" rel="nofollow">http://www.gvenegas.com</a></p>
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