Meet the Copyright Alliance
p2pnet.net news:- Anyone who believes things are as bad as they can get with self-interest corporate groups undermining freedom of choice, freedom of expression and freedom of speech should prepare themselves.
There’s a new anti-consumer gang in town, and it’ll be more actively poisonous than anything you’ve ever seen before.
Collectively and individually, the huge music, movie and software industry groups claim the men, women and children upon whom they all depend so absolutely are nothing but potential criminals just waiting for an opportunity to rob them blind by “massively distributing” corporate product on- and offline.
Enter the Copyright Alliance meant to, “convince increasingly skeptical members of the general public and policymakers that copyrights are something special that deserve protection,” says the Hollywood Reporter.
“Patrick Ross, executive director of the organization, said that the group helps fill a gap that was left when former MPAA chief Jack Valenti died,” states the story. Valenti, “ran a similar group known as the Copyright Alliance that went into eclipse after his death last month” but, “That was a creature of Jack Valenti. With this, we hope to preserve that broad group.”
Congress, “heralded the launch of the Copyright Alliance, which consists of 29 organizations in the U.S. ranging from entertainment and arts groups to technology and sports coalitions,” says Variety. “The alliance estimates that the number individuals it represents totals 11 million.
Praising the new multi-level enforcement outfit are such infamous entertainment industry supporters as Hollywood Howard Berman, Howard Coble and John Conyers.
Observes InfoWorld, “Several copyright bills are likely to come before Congress this year, said Representative Howard Berman, a California Democrat and chairman of the House Judiciary Committee’s Subcommittee on Courts, the Internet, and Intellectual Property,” going on:
Among the bills Berman expects in Congress is reform of the payment system for music royalties, particularly higher payments for artists whose music is sold online, he said.
Berman praised the Copyright Alliance for its focus. Congress and advocates need to ‘protect against the constant assault on copyright law,’ he said.
Copyright issues are likely to produce major debate in Congress this year. Two bills would nullify a March ruling from U.S. copyright royalty judges increasing the royalty fees Internet radio broadcasters must pay. In February, Representative Rick Boucher, a Virginia Democrat, introduced a bill that would carve out customer rights for the so-called fair use of copyright works.
The Copyright Alliance also will work on efforts to educate consumers about copyright. Many young people today don’t understand the value of copyright, said James Gibson, an intellectual property professor at the University of Richmond School of Law. “The problem is, in the popular culture, copyright gets a bad rap,” he said.
At the launch, “the alliance sought to draw attention to the importance of copyright-dependent industries by showing a short video depicting photographers, animators and other artists deemed ‘the face of copyright’,” says ZDNet, continuing, “Grammy-winning Motown songwriter Lamont Dozier, guitarist and Booker T and the MGs member Steve Cropper, famed folk singer Tom Paxton and Grammy-winning singer-songwriter Tim O’Brien also showed up to tout the importance of copyright to their livelihoods.”
However, the story points out, pro-consumer group the Digital Freedom Campaign, whose members include the Consumer Electronics Association, advocacy group Public Knowledge, and the Electronic Frontier Foundation, was launched recently.
“That group argues that big labels and studios are threatening to squelch new gadgets and consumer freedom by chipping away at the fair use rights written into copyright law,” says ZDNet.
“They support proposals like the Fair Use Act, sponsored by Rep. Rick Boucher (D-Va.) and three of his House colleagues, which would amend the controversial Digital Millennium Copyright Act to allow consumers the legal right to pick digital locks on copyrighted works for certain home or educational purposes.
“RIAA President Cary Sherman, for his part, has denounced the group’s stance as an ‘extremist’ interpretation of the law designed to frighten consumers and policymakers.”
Cultural Enlightenment
The Copyright Alliance describes itself as a, “non-profit, non-partisan educational organization dedicated to the value of copyright as an agent for creativity, jobs and growth” whose members will lobby for heavier civil and criminal penalties for copyright infringements, which they call “violations”.
And schools at all levels should expect a flood of industry created and supplied materials and ‘instructors’ because the music, movie and software cartels also promise to ‘educate’ and motivate your children, saying:
It’s never too early to learn the value of copyright. In fact, every time a child takes crayon to paper, he or she has created a copyrighted work, but how many know the rights they’ve just earned?
Educators across the country recognize the value of incorporating an understanding of copyright into lesson plans, but the resources haven’t always been readily available. The Copyright Alliance, as part of its educational mission, aims to identify valuable curriculum guides and other educational resources and make those resources available to educators.
Unbelievably, the group also claims it’ll support freedom of expression, issuing a set of fulsome “policy principles” to “guide their educational outreach efforts”.
CULTURAL ENRICHMENT
To enrich our culture through incentives to create and disseminate new and innovative creative works to citizens.
PROGRESS
To promote the progress of science and creativity, as enumerated in the U.S. Constitution, by upholding and strengthening copyright law and preventing its diminishment.
EDUCATION
To advance educational programs that teach the value of strong copyright and its vital role in fostering creative expression, driving economic growth, and enriching the lives of our citizens.
ENFORCEMENT
To protect the incentive to create by supporting effective civil and criminal enforcement of copyright laws domestically and internationally.
DISSEMINATION
To defend the rights of creators to control their property, understanding the necessary balance of those rights with the public good.
GLOBAL DEVELOPMENT
To encourage the inclusion of copyright protections in bilateral, regional, and multilateral agreements to protect creators and foster global development.
FREE EXPRESSION
To protect the rights of creators to express themselves freely under the principles established in the First Amendment, with copyright as an “engine of free expression.”
It’s hard to imagine a more unsavoury, unscrupulous and unethical collection of parasites, and all in one place.
Members include: American Federation of Television & Radio Artists, American Society of Composers, Authors and Publishers; American Society of Media Photographers; Association of American Publishers; Broadcast Music, Inc; Business Software Alliance; CBS Corporation; Directors Guild of America; Entertainment Software Association; Magazine Publishers of America; Major League Baseball; Microsoft; Motion Picture Association of America; National Association of Broadcasters; National Collegiate Athletic Association; National Music Publishers’ Association; NBA Properties, Inc; NBC Universal; News Corporation; Newspaper Association of America; Professional Photographers of America; Recording Artists’ Coalition; Recording Industry Association of America; Software & Information Industry Association; Sony Pictures Entertainment; Time Warner; Viacom; Vin Di Bona Productions; and The Walt Disney Company.
The alliance’s academic board boasts James Gibson, University of Richmond; Michael Ryan, George Washington University; Micheal Einhorn, Rutgers University; Stan Liebowitz, University of Texas at Dallas; Ronald Mann, University of Texas; R Polk Wagner, University of Pennsylvania; and, Lee Hollaar, University of Utah.
Its financial, legal, political and media resources and limitless and anyone who thinks things are bad now should very definitely stay tuned.
Because in the words of Bachman Turner Overdrive, You Ain’t Seen Nothin’ Yet.
Jon Newton – p2pnet
Also See:
Hollywood Reporter – New copyright alliance on Capitol Hill, May 17, 2007
Variety – Copyright Alliance launched, May 17, 2007
InfoWorld – Songwriters help launch new copyright group, May 17, 2007
ZDNet – Backers of stronger copyright laws form lobby group, May 17, 2007
If your Net access is blocked by goverment restrictions, try Psiphon from the Citizen Lab at the University of Toronto’s Munk Centre for International Studies. Go here for the official download, here for the p2pnet download, and here for details. And if you’re Chinese and you’re looking for a way to access independent Internet news sources, try Freegate, the DIT program written to help Chinese citizens circumvent web site blocking outside of China. Download it here.
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Tired of being treated like a criminal? They depend on you, not the other way around. Don’t buy their ‘product’. Do bug your local politicians. Use emails, snail-mail, phone calls, faxes, IM, stop them in the street, blog. And if you’re into organizing, organize petitions, organize demonstrations and then turn up on your local political rep’s doorstep, making sure you’ve contacted your local tv/radio station/newspaper in advance. Don’t just complain. Do something!





May 18th, 2007 at 9:16 am
Quote from one of the offered pamphlets that are linked there:
“Some kids, however ââ¬â and even some grown-ups ââ¬â
donââ¬â¢t get their music the right way.
They are songlifters, people who
take songs without paying for them.
Some songlifters copy music from other
peopleââ¬â¢s CDs. Some use the Internet to
copy music from other peopleââ¬â¢s
computers. Either way, songlifting is like
shoplifting, and that means itââ¬â¢s wrong.”
( http://www.music-rules.com/pdf/MusicRulesElemActivities.pdf )
Why does RIAA still uses “Criminal” and “Thief”? Songlifter sounds so much more sympathic.
and another one:
How come that Mr. Glickman does not even know the correct name of the “poisonous frog”*?
“Azareus, Kazaaââ¬âdo you recognize these names? They are P2P networks”
( http://www.copyrightalliance.org/files/MPAA_TG_4pg_FINAL.pdf )
Not talking about the half truths and outright lies, but having so much money like the MAFIAA, you would expect a better work, wouldn’t you?!
* http://en.wikipedia.org/wiki/Dendrobates_azureus
May 19th, 2007 at 11:22 am
“It’s never too early to learn the value of copyright. In fact, every time a child takes crayon to paper, he or she has created a copyrighted work, but how many know the rights they’ve just earned?”
In fact, also, when a monkey paints on a canvas the monkey is an author and his work is “copyright protected”, whatever that means. Are the monkeys going to be educated too?
Now, one would think that an author organization would be interested more in authors retaining rights and regaining the rights that they have given up in exchange for nothing, other than deceit.
So, why not educate authors and artists so that they can reclaim what is their’s by nature? It is authors who badly need “copyright education”.
Authors need to understand how industry, the legal system and government operates against them as well as againt “we the people” and why the so called author associations are far removed from what they call themselves.
Authors and artists need to understand they are used as shelds by industry so as to gain sympathy (for the industry, of course) only to be later dumped into the trash can.
Yes, education is needed, but it is of another kind.
Rafael Venegas
gvenegas.com
May 19th, 2007 at 9:41 pm
http://www.oldamericancentury.org/14pts.htm but copied from http://www.secularhumanism.org/index.php?section=library&page=britt_23_2
Fascism Anyone?
Laurence W. Britt
The following article is from Free Inquiry magazine, Volume 23, Number 2.
Free Inquiry readers may pause to read the ââ¬ÅAffirmations of Humanism: A Statement of Principlesââ¬Â on the inside cover of the magazine. To a secular humanist, these principles seem so logical, so right, so crucial. Yet, there is one archetypal political philosophy that is anathema to almost all of these principles. It is fascism. And fascismââ¬â¢s principles are wafting in the air today, surreptitiously masquerading as something else, challenging everything we stand for. The cliché that people and nations learn from history is not only overused, but also overestimated; often we fail to learn from history, or draw the wrong conclusions. Sadly, historical amnesia is the norm.
We are two-and-a-half generations removed from the horrors of Nazi Germany, although constant reminders jog the consciousness. German and Italian fascism form the historical models that define this twisted political worldview. Although they no longer exist, this worldview and the characteristics of these models have been imitated by protofascist regimes at various times in the twentieth century. Both the original German and Italian models and the later protofascist regimes show remarkably similar characteristics. Although many scholars question any direct connection among these regimes, few can dispute their visual similarities.
Beyond the visual, even a cursory study of these fascist and protofascist regimes reveals the absolutely striking convergence of their modus operandi. This, of course, is not a revelation to the informed political observer, but it is sometimes useful in the interests of perspective to restate obvious facts and in so doing shed needed light on current circumstances.
For the purpose of this perspective, I will consider the following regimes: Nazi Germany, Fascist Italy, Francoââ¬â¢s Spain, Salazarââ¬â¢s Portugal, Papadopoulosââ¬â¢s Greece, Pinochetââ¬â¢s Chile, and Suhartoââ¬â¢s Indonesia. To be sure, they constitute a mixed bag of national identities, cultures, developmental levels, and history. But they all followed the fascist or protofascist model in obtaining, expanding, and maintaining power. Further, all these regimes have been overthrown, so a more or less complete picture of their basic characteristics and abuses is possible.
Analysis of these seven regimes reveals fourteen common threads that link them in recognizable patterns of national behavior and abuse of power. These basic characteristics are more prevalent and intense in some regimes than in others, but they all share at least some level of similarity.
1. Powerful and continuing expressions of nationalism. From the prominent displays of flags and bunting to the ubiquitous lapel pins, the fervor to show patriotic nationalism, both on the part of the regime itself and of citizens caught up in its frenzy, was always obvious. Catchy slogans, pride in the military, and demands for unity were common themes in expressing this nationalism. It was usually coupled with a suspicion of things foreign that often bordered on xenophobia.
2. Disdain for the importance of human rights. The regimes themselves viewed human rights as of little value and a hindrance to realizing the objectives of the ruling elite. Through clever use of propaganda, the population was brought to accept these human rights abuses by marginalizing, even demonizing, those being targeted. When abuse was egregious, the tactic was to use secrecy, denial, and disinformation.
3. Identification of enemies/scapegoats as a unifying cause. The most significant common thread among these regimes was the use of scapegoating as a means to divert the peopleââ¬â¢s attention from other problems, to shift blame for failures, and to channel frustration in controlled directions. The methods of choiceââ¬ârelentless propaganda and disinformationââ¬âwere usually effective. Often the regimes would incite ââ¬Åspontaneousââ¬Â acts against the target scapegoats, usually communists, socialists, liberals, Jews, ethnic and racial minorities, traditional national enemies, members of other religions, secularists, homosexuals, and ââ¬Återrorists.ââ¬Â Active opponents of these regimes were inevitably labeled as terrorists and dealt with accordingly.
4. The supremacy of the military/avid militarism. Ruling elites always identified closely with the military and the industrial infrastructure that supported it. A disproportionate share of national resources was allocated to the military, even when domestic needs were acute. The military was seen as an expression of nationalism, and was used whenever possible to assert national goals, intimidate other nations, and increase the power and prestige of the ruling elite.
5. Rampant sexism. Beyond the simple fact that the political elite and the national culture were male-dominated, these regimes inevitably viewed women as second-class citizens. They were adamantly anti-abortion and also homophobic. These attitudes were usually codified in Draconian laws that enjoyed strong support by the orthodox religion of the country, thus lending the regime cover for its abuses.
6. A controlled mass media. Under some of the regimes, the mass media were under strict direct control and could be relied upon never to stray from the party line. Other regimes exercised more subtle power to ensure media orthodoxy. Methods included the control of licensing and access to resources, economic pressure, appeals to patriotism, and implied threats. The leaders of the mass media were often politically compatible with the power elite. The result was usually success in keeping the general public unaware of the regimesââ¬â¢ excesses.
7. Obsession with national security. Inevitably, a national security apparatus was under direct control of the ruling elite. It was usually an instrument of oppression, operating in secret and beyond any constraints. Its actions were justified under the rubric of protecting ââ¬Ånational security,ââ¬Â and questioning its activities was portrayed as unpatriotic or even treasonous.
8. Religion and ruling elite tied together. Unlike communist regimes, the fascist and protofascist regimes were never proclaimed as godless by their opponents. In fact, most of the regimes attached themselves to the predominant religion of the country and chose to portray themselves as militant defenders of that religion. The fact that the ruling eliteââ¬â¢s behavior was incompatible with the precepts of the religion was generally swept under the rug. Propaganda kept up the illusion that the ruling elites were defenders of the faith and opponents of the ââ¬Ågodless.ââ¬Â A perception was manufactured that opposing the power elite was tantamount to an attack on religion.
9. Power of corporations protected. Although the personal life of ordinary citizens was under strict control, the ability of large corporations to operate in relative freedom was not compromised. The ruling elite saw the corporate structure as a way to not only ensure military production (in developed states), but also as an additional means of social control. Members of the economic elite were often pampered by the political elite to ensure a continued mutuality of interests, especially in the repression of ââ¬Åhave-notââ¬Â citizens.
10. Power of labor suppressed or eliminated. Since organized labor was seen as the one power center that could challenge the political hegemony of the ruling elite and its corporate allies, it was inevitably crushed or made powerless. The poor formed an underclass, viewed with suspicion or outright contempt. Under some regimes, being poor was considered akin to a vice.
11. Disdain and suppression of intellectuals and the arts. Intellectuals and the inherent freedom of ideas and expression associated with them were anathema to these regimes. Intellectual and academic freedom were considered subversive to national security and the patriotic ideal. Universities were tightly controlled; politically unreliable faculty harassed or eliminated. Unorthodox ideas or expressions of dissent were strongly attacked, silenced, or crushed. To these regimes, art and literature should serve the national interest or they had no right to exist.
12. Obsession with crime and punishment. Most of these regimes maintained Draconian systems of criminal justice with huge prison populations. The police were often glorified and had almost unchecked power, leading to rampant abuse. ââ¬ÅNormalââ¬Â and political crime were often merged into trumped-up criminal charges and sometimes used against political opponents of the regime. Fear, and hatred, of criminals or ââ¬Åtraitorsââ¬Â was often promoted among the population as an excuse for more police power.
13. Rampant cronyism and corruption. Those in business circles and close to the power elite often used their position to enrich themselves. This corruption worked both ways; the power elite would receive financial gifts and property from the economic elite, who in turn would gain the benefit of government favoritism. Members of the power elite were in a position to obtain vast wealth from other sources as well: for example, by stealing national resources. With the national security apparatus under control and the media muzzled, this corruption was largely unconstrained and not well understood by the general population.
14. Fraudulent elections. Elections in the form of plebiscites or public opinion polls were usually bogus. When actual elections with candidates were held, they would usually be perverted by the power elite to get the desired result. Common methods included maintaining control of the election machinery, intimidating and disenfranchising opposition voters, destroying or disallowing legal votes, and, as a last resort, turning to a judiciary beholden to the power elite.
Does any of this ring alarm bells? Of course not. After all, this is America, officially a democracy with the rule of law, a constitution, a free press, honest elections, and a well-informed public constantly being put on guard against evils. Historical comparisons like these are just exercises in verbal gymnastics. Maybe, maybe not.
Note
1. Defined as a ââ¬Åpolitical movement or regime tending toward or imitating Fascismââ¬Âââ¬âWebsterââ¬â¢s Unabridged Dictionary.
References
Andrews, Kevin. Greece in the Dark. Amsterdam: Hakkert, 1980. Chabod, Frederico. A History of Italian Fascism. London: Weidenfeld, 1963. Cooper, Marc. Pinochet and Me. New York: Verso, 2001. Cornwell, John. Hitler as Pope. New York: Viking, 1999. de Figuerio, Antonio. Portugalââ¬âFifty Years of Dictatorship. New York: Holmes & Meier, 1976. Eatwell, Roger. Fascism, A History. New York: Penguin, 1995. Fest, Joachim C. The Face of the Third Reich. New York: Pantheon, 1970. Gallo, Max. Mussoliniââ¬â¢s Italy. New York: MacMillan, 1973. Kershaw, Ian. Hitler (two volumes). New York: Norton, 1999. Laqueur, Walter. Fascism, Past, Present, and Future. New York: Oxford, 1996. Papandreau, Andreas. Democracy at Gunpoint. New York: Penguin Books, 1971. Phillips, Peter. Censored 2001: 25 Years of Censored News. New York: Seven Stories. 2001. Sharp, M.E. Indonesia Beyond Suharto. Armonk, 1999. Verdugo, Patricia. Chile, Pinochet, and the Caravan of Death. Coral Gables, Florida: North-South Center Press, 2001. Yglesias, Jose. The Franco Years. Indianapolis: Bobbs-Merrill, 1977.
Laurence Brittââ¬â¢s novel, June, 2004, depicts a future America dominated by right-wing extremists.
May 19th, 2007 at 10:28 pm
Anyone who sees AFTRA on the list and still thinks that union has the interest of its members at heart deserves the screwing over they are going to get from all their new “friends.”
Any organization that purports to represent both creative artists and big copyright holding interests is less of an “alliance” than it is a food chain.
May 21st, 2007 at 10:52 am
Irony
http://www.youtube.com/watch?v=CJn_jC4FNDo