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The Missing Missing Artists list

p2pnet news view | P2P:-  CounterPunch’s Dave Marsh once said of Fred Wilhelms, the Nashville entertainment lawyer, “If the corporate music industry had any ethics, Wilhelms would be its ‘ethicist-in-chief’.”

At the end of April he and I started Project Unfound Artist, an experiment in crowdsharing to see if the ordinary denizens of the Internet could cut into the 7,872 names posted on the SoundExchange website as artists they had been unsuccessful in getting registered.

The project was stimulated by the report of John Simson’s [Soundexchange's noble leader] comments at Harvard in which he admitted that there were actually over 40,000 artists who were owed money.

Fred generously includes me in this, but he did all  the work.

I originally posted Fred’s write-up on July 15, together with the entire list.

It was on line for a while but the whole thing  mysteriously vanished about seven days back, as far as I can tell, and now WP steadfastedly refuses to allow me to re-post it.

So I’ve saved it as a .txt file which you can download by clicking here.

I have no idea why that happened and I can only guess since the list is so huge it was somehow deleted by Word Press, which definitely has its moments.

Be that as it may, here’s Fred’s original write-up.

Cheers! And thanks …

Jon Newton – p2pnet »»»

Jon and I figured if we could reduce the number of artists that SoundExchange admitted they couldn’t find, they might focus more energy on the other 32,000+ they haven’t identified yet.  We posted an announcement of the project on p2pnet.net, and pretty much stood back to see what happened.
.
Since the project started, 297 names have been removed from the website list.  That doesn’t sound like a lot, and in overall terms, it is only 4% of the list as it existed when we started.  Comparatively, however, it is an astounding success.  In the 17 weeks between January 1 and the start of the project, SoundExchange, left to its own efforts and those of a few individuals like me, removed 145 names from the list, or fewer than half the names removed in the 11 weeks since the project started. In fact, the artists registered in the less than three months since the Project began exceeds the number of artists registered by SoundExchange in the previous EIGHT months.

Although the pace has slowed down in the last couple weeks, I still consider the Project to be a success on several levels.

There are 297 artists getting paid who weren’t getting paid before.  That’s a success.

The totally volunteer, totally cost-free project makes moot the excuse about not spending excessive amounts to pay out small accounts.  This is “spending nothing to pay a dollar.”  It doesn’t get any more cost efficient than that.

You might wonder why SoundExchange hasn’t bothered to try this on their own initiative, but only if you thought that SoundExchange had any real interest in finding these artists in the first place.  You would think someone at SoundExchange would find the idea worth pursuing.  I guess they’re too busy working for musicFIRST to pay attention to the job they’re supposed to be doing now.  After all, there’s new turf to be claimed and power to grasp, no matter how badly you do what you’ve promised to do already.

In my own efforts to locate and register artists since the project started, I have had direct contact with several dozen individuals for whom SoundExchange held money.  Almost all of them have responded to my contact by registering themselves, and many of those names have now disappeared from the list.   I have to note that of the  artists I have been in contact with, NOT ONE of them said that they had been previously contacted by SoundExchange.  Given that SoundExchange’s spokespeople and supporters have been most insistent that they have been in contact with many artists on the list who just didn’t follow through and sign up, you would think that I would have heard confirmation of that claim from some artist by now.  It just hasn’t happened.

Tellingly, my offers (private and public) to SoundExchange to personally follow up on all those non-responders have gone unacknowledged, let alone accepted.  But we already know how hard it is to find these artists. SoundExchange has done an excellent job of telling people just how difficult it is.  You would think they would gladly accept help, but I guess they can live with the idea there are 40,000 artists they can’t find.

I have to wonder if those “artist representatives” on the SoundExchange board feel any responsibility for those 40,000 artists.  Probably not.

After all, it’s not like artists can actually influence what their “representatives” do for them or to them on the Board.  Artists didn’t put them on the Board and artists can’t remove them.   The only people those artist representatives have to please are the RIAA puppeteers who invited them to sit at the table.

There are still 7,575 artists SoundExchange can’t find.

Please take a couple minutes.  Scan the list.  Identify some artists youknow and find them.  Find some artists you don’t know, too.  If you’rereading this on the Internet, you already know how to do all that.  Don’t forget to check the social sites; a lot of these artists have MySpace and Facebook pages.

Write to them.

Thank them for the music.

Send them to the SoundExchange site and tell them to sign up and get paid.

Once again, click here for the list.

Fred & Jon

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14 Responses to “The Missing Missing Artists list”

  1. A_F Says:

    well, this way it makes more sense. And does not attract so much spammers since a .txt URL can’t be spammed ;-)

    So if you check with Fred from time to time and then update the list by either adding “got paid” behind names or deleting names completely from it while keeping its filename and location it has now, then it would be possible to use that URL for example in signatures or viralled out other way it it would be a really useful post of yours :-)

    Thanks Jon

  2. Fred Says:

    A F,

    I monitor the list on a regular basis, weekly or more frequently as my time permits. Since we updated the full list a week and a half ago, another 20 names have been removed. I can’t tell you which ones yet, because it does take a bit of time to match the old list against the new one. I will make sure that Jon has regular updates for the txt file.

    That takes the tally since the project began three months ago to 317 “found” “unfound” artists, which is just about what SoundExchange found without organized outside help in over nine months before the project started.

    Thanks to everyone who is proving that these artists can be found, and that you value them as much as you value the music they’ve made.

    Keep looking, we still have 7,555 to go.

    Fred

  3. A_F Says:

    Well I guess that must make Mr. Simson really happy that so many artists get what they deserve! ;-)

    Thanks for the update. :-)

  4. A_F Says:

    P.S.
    @jon, I see you have an space in the URL resp. the filename that is not properly masked Alter_Fritz like you know?!

    while my browser “masks” that unmasked space In the URL with the proper control code automaticly (http://www.p2pnet.net/stuff/soundexchange%20missingartists.txt) such “newbee” errors like spaces in URI’s could create problems under some circumstances.
    you might want to be on the save side by changing it.

  5. Jon Says:

    ^^ Unfortunately, I can’t. I can’t get it to load or display properly with the ‘%20′.

    Cheers!

  6. A_F Says:

    of course you can’t!

    you were supposed to mask spaces with _ or maybe – since those 2 characters are allowed.

  7. Cory Says:

    Wow, never heard of any of them, but will have to check them out now if anything can be found.

  8. Reader's Write Says:

    Here is a link to SOCAN’s site, with their own list of members who cannot be found:
    http://www.socan.ca/jsp/en/MIAList08.jsp

    (Maybe we can help find our guys too)

  9. Jon Says:

    ^^ I’m trying to follow up on this.

    Cheers!

  10. Reader's Write Says:

    According to SOCAN’s website:
    http://www.socan.ca/pdf/en/2007FinancialReport.pdf

    In 2007, they got $3.8 million from the Private Copying Collective.
    In 2006, they got $4.9 million.

    Some of this is money I paid in tariffs when I purchased blank media for purposes that had NOTHING to do with copying music.

    Since they can’t find all their musicians, can I apply to get at least some of my money back?
    And what do they do with this extra unfound-artist money anyway?

    In 2007 they spent $26.5 million in salaries & benefits.

  11. Reader's Write Says:

    thought I would check a few on the Socan missing artist list -
    i picked two at random – Adams Charlie Noah & Blondahl Omar -

    it appears fron my Search that they have both passed away, sorry to say.

  12. Reader's Write Says:

    ‘In 2007 they spent $26.5 million in salaries & benefits” – they say they have 300 full and part time employess.
    thats an average of $93 thousand per full and part time person.

    is there something wrong with my math?!?

  13. Sam I Am Says:

    thats an average of $93 thousand per full and part time person. is there something wrong with my math?!?

    No. Not at all, that math is reasonable. That’s both salary AND benefit, remember?…..and benefit is often a third or more on top of salary. So a midlevel manager receiving $100,000 a year, say, would actually cost about $133K. And for every employee at that compensation level, there would have to be one at about $50K, to meet that average of $93K. But that 50K person, probably a secretary or other low level worker, is receiving barely $35,000 a year in actual salary (plus the benefits to the total of $50K) So the true high level executive salaries are offset by the far lower compensated support staff, and it all averages out to about $93,000. Got it?

  14. Thinker Says:

    I wonder, how are long dead foreign songwriters and performers heirs found?
    What incentive is there to find these if the money is kept by the one responsible to find the heirs?

    My suggestion is that the money for foreigners should be paid to the countrie’s consul so the money is kept for so many years for claiming and after that the noney should be use to suppor music schools.

    ps: a well founded rumor is that the money collected in the USA by the so called performance rights organization never eaches the foreign songwriter or their heirs.

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