Welcome to P2PNET.net - The original daily p2p and digital news site. Always First!
Register | Login
RIAA News
Cool Stuff
MPAA News
Games / Consoles
News
Music
Movies
TV
Open Source
Mobiles
Advertising
Product News
P2P
Off Topic
Freedom
Politics
Interviews
Security
DRM
Links
Kids and Kartels
Search: 
Search
 
Web P2PNET   
Search: 
Search
Torrent Site Tracker
MP3rocket
 
Add real-time p2pnet headlines to YOUR site ! Click here to download our newsfeed code
p2pnet - rss feed: http://p2pnet.net/p2p.rss | p2pnet celebrities: http://p2pnet.net/celeb.rss | Mobile? http://p2pnet.net/index-wml.php

DRM for streaming: d-e-a-d dead

p2pnet news view | DRM:- Consumer control through Digital Restrictions Management (DRM) is a dead horse.

But the entertainment and software cartels keep on beating it

Anything which can be seen or heard can be copied by one means or another.

Full stop.

Now, “Two of the leading on-demand streaming music sites, iMeem and LaLa, are not using DRM on their audio streams, instead sending the music as MP3s dusted with a dash of obfuscation,” says the EFF’s (Flectronic Frontier Foundation) Fred von Lohmann, going on »»»

 This is significant because both sites have been licensed by all the major record labels — the very same record labels that were just last year pushing Congress to require DRM on all noninteractive webcasts. So it looks like the RIAA companies have changed their minds, dropping DRM requirements for the on-demand streaming music services.

This should put an end to legislation to mandate DRM on noninteractive webcasters. After all, why should these webcasters be in a worse position than the free, on-demand music services like LaLa and iMeem?

This also undermines the argument that DRM for music is necessary for subscription services. If the major labels have given up DRM for free, ad-supported, on-demand streaming services like LaLa and iMeem, there’s no plausible reason to insist on DRM for paid subscription services like Rhapsody and Napster 2.0. After all, there’s no reason to think that those who prefer commercial-free subscriptions like Rhapsody are more likely to “pirate” streams than those who prefer ad-supported services like LaLa.

LaLa and iMeem each take slightly different approaches to streaming music. LaLa uses HTTP to download each requested song as an MP3 to your browser, but relies on aggressive “no-cache” headers and pre-expired date stamps to suggest that your browser not make a copy of the file on your hard drive. Using a packet sniffer to capture the entire HTTP session, however, easily reveals the complete MP3 embedded right after the HTTP headers.

iMeem also downloads and caches each requested song, but sends the MP3 as the audio track of a Flash Video file. This FLV file is typically saved (cached) on your hard drive as an obscurely named temporary file, which is overwritten when you request your next song (we mentioned iMeem’s approach back in January, and it’s essentially unchanged). Copy this temp file, however, and you can easily extract the audio track from the Flash video, saving it as a stand-alone MP3 file.

(The location of this TemporaryItems folder, and its equivalent on other operating systems, varies significantly depending on operating system and version. On some operating systems it’s buried deep within the directory hierarchy, but it can be found automatically with standard tools.)

While the light obfuscation used by iMeem and LaLa might create a “speed bump” of inconvenience for users who want to keep the MP3 files, it doesn’t rise to the level of a “technical protection measure” protected by the DMCA. In short, this is yet another example of why there is no legitimate business case for DRM on music — it doesn’t prevent piracy and it’s not necessary to enable “new business models” like subscription or ad-supported music. (Of course, as the movie industry has demonstrated, DRM can still be valuable for impeding competition and putting the brakes on disruptive innovation. But it’s hard to see how the law should protect those goals.)

So …..

.Add to Technorati Favorites .Stumble It!

EFF - DRM for Streaming Music Dies a Quiet Death, August 15, 2008


Use free p2pnet newsfeeds for your site. It’s really easy!

Subscribe
to p2pnet.net
| | rss feed: http://p2pnet.net/p2p.rss | | Mobile - http://p2pnet.net/index-wml.php


Net access blocked by government restrictions? Use Psiphon from the Citizen Lab at the University of Toronto. Go here for details. Download here.

HOME

6 Responses to “DRM for streaming: d-e-a-d dead”

  1. Sukasa Says:

    It’s even easier than that; It’s entirely possible just to record the MP3 files via the Stereo Out Mix recording input, too, because I’ve used that method before to convert a really obscure music file format into MP3 before. (specifically, converted a .org file to mp3 so I could play it using WinAMP).

  2. Reader's Write Says:

    I’d probably just use the DownloadHelper extension for Firefox. Two clicks and I get a save dialog for any media URL it identified by watching HTTP traffic for Firefox and it’s plugins.

    As for splitting the MP3 audio out of the resultant FLV, mplayer -dumpaudio works beautifully for that. :)

  3. Nuclear Ogre Says:

    Yeah download helper is great, works well on last.fm and youtube, but it falls flat on it face on imeem, which is a shame because imeem’s user generated catalog pwns over last.fm in every way. I have to use the winamp sound recorder trick for imeem.

  4. Average Joe Says:

    Jeez everyone. Will you stop trampling over people’s precious copyrights?

    It’s bad enough they removed the DRM. Now, don’t help others to steal this premium content as well! (rolls eyes)

  5. Gr33n3gg Says:

    Is that…Ubuntu I see? Yay Linux!

  6. Forust Says:

    As for splitting the MP3 audio out of the resultant FLV, mplayer -dumpaudio works beautifully for that.

Leave a Reply

    Advertisments
Teksavvy