ASCAP, ringtones, and $$$$$
p2pnet news view Music:- Sung to the tune of “Money, money, money,money, money, money”. (From Cabaret – lyrics).
ASCAP, the “same folks who went after Girl Scouts for singing around a campfire, appears to believe every time your ringtone rings in public, “you’re violating copyright law by ‘publicly performing’ it without a license,” says the EFF’s Fred von Lohmann in Deep Links.
That’s the import of a brief [2.5mb PDF] it filed in its court battle with AT&T, he says.
In a not entirely disassociated post, in 2008, “a district court set a totally arbitrary royalty fee that AOL, Yahoo and RealNetworks had to pay ASCAP for music streamed over their services,” said TechDirt’s Mike Masnick recently. He also pointed out reading through the details was, “immensely troubling,” because it, “seemed to calculate the amounts on a somewhat meaningless formula based on taking a percentage of revenue from the companies that had absolutely nothing to do with music itself,” he said.
ASCAP reckons the world owes its claimed 350,000 members not merely a living, but a luxurious one.
Now, back to von Lohmann on the organisation’s efforts to wring every last penny our of ringtones, “This will doubtless come as a shock to the millions of Americans who have legitimately purchased musical ringtones, contributing millions to the music industry’s bottom line,” he says, going on »»»
Are we each liable for statutory damages (say, $80,000) if we forget to silence our phones in a restaurant?
ASCAP’s outlandish claim is part of its battle with major mobile carriers (including Verizon and AT&T) over whether ASCAP is owed any money for “public performances” of the musical ringtones sold by the carriers. The carriers point out that the owners of the musical compositions (i.e., songwriters and music publishers) are already paid for each ringtone download, but ASCAP claims that it’s owed another royalty for the “public performances” (i.e., ringing in a restaurant) of those same ringtones.
Fortunately, ASCAP is wrong. Even if the incidental mobile phone playback of a short snippet in a public place were viewed as a “public performance” (something no court has ever held, and that would also put you in jeopardy for playing your car radio with the window down), the Copyright Act has a specific exception, 17 U.S.C. 110(4), that covers performances made “without any purpose of direct or indirect commercial advantage.” That should take care of ringtones going off in the restaurant.
Confronted with Section 110(4), ASCAP makes an even more dangerous and wrongheaded argument — that the carrier cannot “stand in the shoes of its customer” when asserting a copyright defense like Section 110(4). In other words, because AT&T is in the ringtone business for the money, it’s on the hook even if the customer isn’t.
To appreciate how anti-consumer this argument is, consider what it would mean in practice. Congress has decided that many activities should be beyond the reach of copyright law, including not only the performances covered by Section 110(4), but also fair use and first sale, among other things. It’s thanks to these exceptions and limitations that libraries can lend books, you can use a TiVo, and Apple can sell iPods to help you get the most from your CD collection. ASCAP is arguing, however, that just because you can’t be held liable for copyright infringement for these things, a copyright owner could still sue any technology company that helps you enjoy your rights under copyright law.
Fortunately for consumers, ASCAP’s theory is foreclosed by the Sony Betamax ruling, where the Supreme Court held that because it’s a fair use for you to time-shift TV, it’s also perfectly legal for Sony to sell you a VCR to do it. Sony did not have to run a second fair use gauntlet for its commercial VCR-selling business.
In short, if there’s no infringement liability for the customer, there can be no secondary liability for the carriers. (ASCAP also has a theory that the carriers are direct infringers because they set up the system that causes phones to ring in public, but that theory is pretty handily wiped out by the recent Cablevision ruling, where the court found that setting up a “remote DVR” service doesn’t make you a direct infringer when your customers use it.)
Or, put another way, the EFF adds, “if it’s noninfringing for you, it’s also noninfringing for a technology company to provide you with the means to do it”.
This would make a great ringtone. Or has it been done already?
Deep Links – ASCAP Wants To Be Paid When Your Phone Rings, June 19, 2009
TechDirt – YouTube Ordered To Pay $1.6 Million To ASCAP, May 19, 2009
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June 22nd, 2009 at 9:23 am
What next – will I be charged $80,000 for whistling as I walk down the street?
June 22nd, 2009 at 9:38 am
SOCAN should be making similar claims too…
You know, this whole mess is the fault of the RIAA. Had they not started suing people and Napster/Grokster etc… none of the other publi$her$/compo$er$/author$/$ocietie$ would be holding their hands out.
Had Congress really stepped back to see the bullshit the MPAA/RIAA had been feeding them for the DMCA and the like, the **AA would not be allowed to grab for money, and thus none of the other groups would try to follow suit. It’s the “if they are doing it why can’t we” mentality.
Congress really should have thought this through.
If those companies were prevented from suing, they would have had no option but to change to compete and they would have, and they would be flourishing, and downloads would be cheap, people would not be hating them right now, artists would still be screwed though. So you can’t win everything.
June 22nd, 2009 at 11:46 am
@ rabbit80
How about being charged $80,000 for singing (badly) in the shower??
June 23rd, 2009 at 5:43 am
How soon before merely thinking a song can land you with an $80,000 fine?
June 23rd, 2009 at 7:13 am
@Rabbit80,
How soon before the fine applies to thinking? Last I read from http://www.riaa.com, it already exists. If their systems (tied in with NSA/CSEC/ECHLON) detect you playing a song in your heard they own the copyrights to, your bill is prepared. But to make it financially feasible, they don’t actually notify you or send you the bill. Instead they will send a litigation letter after some predetermined amount of time and with a special jury, they will get $150 000 per song thought of in your head.
Apparently no litigation letters have been sent out yet because of a glitch in their system, which is using Windows ME.
July 5th, 2009 at 11:22 am
Totally dudes! Those stupid jerks who are always making music and writing songs shouldn’t be paid anything at all! They should just be happy that they’re enabling the awesome technology companies to make gazillions of dollars! And consumers should live in fear of copyright laws that have created the most vibrant culture that the world has ever seen! Next thing you know songwriters and artists will be killing people in the street just for enjoying the works that they create! They are evil. I think we can agree on that. Particularly when they get organized into big collectives like ASCAP and come with some negotiating power. Lord knows if I want the money to go to anyone it’s certainly not an individual who has created something that enriches my life. The money should totally go to the angels at the tech companies who exist only for the good of humanity and do everything they do out of purely altruistic motives. God bless them.