Jammie Thomas $1.92 million ‘unconstitutional’
p2pnet news view P2P | RIAA:- Helped along by RIAA lawyers, an American jury of 12 ordinary people wants an ordinary American mother to come up with an extraordinary $1.92 million for Vivendi Universal (France), Sony (Japan), EMI (Britain), and Warner Music (US, but run by a Canadian).
The money is being demanded in recompense for 24 songs Jammie Thomas-Rasset is said to have shared online.
That works out to $80,000 per song.
Or was it 1,700 copyrighted tunes.
Jammie’s lawyers are, meanwhile, appealing the decision and, says Recording Industry vs The People, have filed her reply brief to, “set aside the jury’s $1.92 million verdict”.
Here’s the document for anyone wanting the details »»»
There is little in the response brief submitted by the plaintiffs or in the amicus brief submitted by the United States that Mrs. Thomas has not already addressed in her opening brief in support of this motion.
As explained in Mrs. Thomas’s opening brief, the plaintiffs’ contention that the Due Process Clause’s limits on punitive damages awards do not apply when those awards are imposed by statute rather than by common law is nowhere supported in the case law. The Due Process jurisprudence that is today embodied in BMW v. Gore has its roots in Williams, a case involving statutory damages. See St. Louis I.M. & S. Ry. Co. v. Williams, 251 U.S. 63, 66 (1919). And modern courts understand that statutory damages that are punitive in purpose or effect are subject to due process review. See, e.g., Murray v. Cingular Wireless II, LLC, 242 F.R.D. 415, 421 (N.D. Ill. 2005) (“it is true that a grossly excessive statutory damages award creates a due process problem”). The concerns that trigger the due process inquiry — arbitrariness, variability, and unpredictability in awards — are here in spades; of this, the nearly order-of-magnitude difference between the verdicts in the first and second trials of Mrs. Thomas is unquestionable evidence.
An arbitrary award imposed pursuant to a statute is still arbitrary.
The notion that Congress decided that the award of statutory damages in this case was somehow appropriate or tailored to ensure deterrence is a fiction that the plaintiffs would have this Court adopt. The Congress that enacted the statutory-damages provision of the Copyright Act could not have had the kinds of illegal but noncommercial music downloading here at issue in mind. And because the range of conduct that triggers statutory damages under the Copyright Act is so wide, it cannot be that Congress tailored the damages available to any particular subset of that conduct. Rather, Congress left this tailoring to the ordinary process for assessment of punitive damages: a joint inquiry by jury and judge into what is just. See Honda Motor Co. v. Oberg, 512 U.S. 415, 421–21, 434–35 (1994) (holding that judicial review is constitutionally required); Cooper Industries v. Leatherman Tool Group Inc., 532 U.S. 424, 437 (2001) (holding that judicial review of punitive damages does not violate the Seventh Amendment — from which it follows that such review does not violate the Seventh Amendment right to jury trial on statutory damages guaranteed by Feltner).
The plaintiffs were not able to offer testimony about any actual damage done to them by Mrs. Thomas’s conduct beyond perhaps $1.29 per song or $15 per album in lost sales. In fact, under cross examination, Mr. Leak testified that he could not identify the particular harm, if any, caused by Mrs. Thomas’s conduct in particular. The testimony that the plaintiffs describe in their response relates to harm to the music industry from illegal music downloading in general, not from Mrs. Thomas’s conduct in particular. It would be unconstitutional to punish Mrs. Thomas for the generalized and widespread conduct of others, whatever the effect of that conduct might be on the plaintiffs.
Contrary to the plaintiffs’ suggestion, Phillip Morris does indeed forbid considering the injury to others in assessing the proportionality of punishment to actual harm; the page cited by plaintiffs states this rule, then goes on to say that potential injury to others can be used in assessing the reprehensibility of the defendant’s conduct. Compare Philip Morris USA v. Williams, 549 U.S. 346, 353–54 (2007) with id. at 355. But what Mrs. Thomas did, whether or not a violation, is certainly not a reprehensible one. See M. at 6-7 (citing cases and observing that Mrs. Thomas did no physical harm and did not target a particularly vulnerable individual). The reprehensibility inquiry being exhausted, the plaintiffs cannot use potential harm to third parties to cause a court to deem proportional an award of statutory damages that bears no relation at all to the actual damages suffered by the plaintiffs.
Finally, the plaintiffs’ waiver argument is unpersuasive and disingenuous. Mrs. Thomas challenges the constitutionality of the Copyright Act’s statutory damages provision as applied by this jury to her particular case. There was nothing for Mrs. Thomas to challenge until the jury rendered its verdict awarding the plaintiffs $80,000 per song. Promptly after this Court entered judgment on that verdict, Mrs. Thomas filed the present motion, arguing that the judgment should be altered or amended because the amount of the verdict rendered the Copyright Act’s statutory-damages provision, as applied in her case, unconstitutional.
Had Mrs. Thomas raised her as-applied constitutional challenge earlier, plaintiffs would have argued that the challenge was not ripe: whether the statutory damages provision is constitutional as applied in a particular case might well depend on the particular verdict handed up in that case. Indeed, one of the three Gore guideposts is the proportionality of the punitive award to the actual damages suffered by the plaintiff, a ratio that cannot be calculated until the amount of the verdict is known. And the broader concern underlying Gore, of the arbitrary and unpredictable nature of civil punishments, was best shown by showing the nearly order-of-magnitude difference between the verdicts in Mrs. Thomas’s two trials.
Challenges to the constitutionality of damage awards that are punitive in nature are customarily made through post-verdict motions, either for new trial or to alter or amend the judgment, for precisely these reasons. In Hardeman v. City of Albuquerque, 377 F.3d 1106 (10th Cir. 2004), the Tenth Circuit analyzed whether a constitutional challenge to damages had been waived and explained that the question was whether the challenge was raised in a post-verdict motion. See id. at 1122 (collecting cases). The court nowhere suggested that such a challenge should have been raised even before the amount of the damages award could have been known. See also Harris v. City of Virginia Beach, 923 F. Supp. 869, 872 (E.D. Va. 1996) (explaining that court reached constitutional challenges to particular damages awards because these challenges could not have been raised until the damages were known). Because Mrs. Thomas raised the constitutionality of the particular damages award in her case at the first available opportunity, the argument that she has somehow waived consideration of this issue should be rejected.
“For reference purposes, here is a link to my brief on the subject, and here is a link to the recent law review article by Prof. Pamela Samuelson and Research Fellow Tara Wheatland,” says RIvTP’s Ray Beckerman.
Stay tuned.
First they ignore you, then they laugh at you, then they fight you, then you win ~ Mahatma Gandhi
ordinary American mother – Jammie Thomas-Rasset: file sharing thief, June 10, 2009
1,700 – Did Jammie share 1,700 songs?, July 14, 2009
Recording Industry vs The People – Jammie Thomas-Rasset files reply papers in support of motion to set aside verdict, August 30, 2009
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August 31st, 2009 at 12:50 pm
The headline is highly misleading, making people think the issue has already been decided in her favor.
August 31st, 2009 at 1:09 pm
The Judge says it’s OK, Jesus (Obama) says it’s OK, the RIAA says it’s OK, so why shouldn’t the 12 pinheads on the jury agree?
August 31st, 2009 at 1:13 pm
In reply to the first poster, I quite agree. I came across this story from Google and I am dismayed that it has not been either deleted or corrected. However, having quickly scanned other posts on this site, I am not at all surprised by this clear attempt to misrepresent the case to favor people who steal from the music industry.
Don
August 31st, 2009 at 1:20 pm
Could the first poster also be the third poster, do you think?
Cheers!
August 31st, 2009 at 3:07 pm
“However, having quickly scanned other posts on this site, I am not at all surprised by this clear attempt to misrepresent the case
*to favor people who steal from the music industry.*”
Could this possibly, in any way, be an RIAA shill or a troll. Nah, impossible!
August 31st, 2009 at 3:10 pm
“people who steal from the music industry” Isn’t that getting a little old? but I digress.
August 31st, 2009 at 3:54 pm
“people who steal from the music industry”
for a second I read that as “people who steal from the musicians” and I thought that is the industry
August 31st, 2009 at 4:45 pm
Hey Don! I need some extra money. I wanna be a corporate shill too! So tell me, how do they pay you? Is it per post, or per word? Can you actually make a living from it or is it just part time extra income? C’mon Don, spill the beans, I won’t tell. You can TRUST me
August 31st, 2009 at 6:31 pm
“Could the first poster also be the third poster, do you think?”
Wrong. Your paranoia is starting to get the better of you.
I got excited when I saw the headline and was hoping for good news. I was disappointed to learn that the article was simply about her appeal.
August 31st, 2009 at 7:16 pm
^^
“I was disappointed to learn that the article was simply about her appeal.”
I’m sorry that was the way you saw it, but her appeal isn’t exactly bad news, and there’s still a very long way for Jammie to go before the Fat Lady sings — copyrighted, of course.
Cheers!
August 31st, 2009 at 7:23 pm
and her eventual victory…
September 1st, 2009 at 10:42 am
” “Could the first poster also be the third poster, do you think?”
Wrong. Your paranoia is starting to get the better of you. ”
Ummm , no.
Just because you pretend to be different posters, doesn’t mean others are stupid
enough not to notice.
Fact: every single time someone has proclaimed someone else to be ‘paranoid’. it was because they
were discovered. You just proved Jon and the rest of us correct.
So .. give .. pay by the word or the post, i’m curious too, and I need cash.
September 1st, 2009 at 3:21 pm
“people who steal from the music industry”
That’s been phrased ass-backwards.