Comments on: Connections: Pete Seeger http://www.p2pnet.net/story/31097 p2pnet.net - reader powered Wed, 01 Feb 2012 15:11:09 -0300 http://wordpress.org/?v=2.8.4 hourly 1 By: cliej7865880 http://www.p2pnet.net/story/31097/comment-page-1#comment-992161 cliej7865880 Mon, 07 Dec 2009 08:14:27 +0000 http://www.p2pnet.net/?p=31097#comment-992161 "hello, This is about online payment.There is a massive change underway in the mobile media market as it becomes unshackled from the operators’ portals that have dominated it for a decade, all without having made any significant inroads into the content use of mobile users. The new capped data packages, fuelled by further competition, will see a total revamp of the mobile media market. It will no longer be based on portals but on direct services by content and services providers via open source phones and mobile-friendly Internet-based services. The next step is the continued emergence of m-commerce and in particular m-payment services.  regards hazz.hazz" “hello,
This is about online payment.There is a massive change underway in the mobile media market as it becomes unshackled from the operators’ portals that have dominated it for a decade, all without having made any significant inroads into the content use of mobile users. The new capped data packages, fuelled by further competition, will see a total revamp of the mobile media market. It will no longer be based on portals but on direct services by content and services providers via open source phones and mobile-friendly Internet-based services. The next step is the continued emergence of m-commerce and in particular m-payment services. 
regards
hazz.hazz”

]]> By: Reader's Write http://www.p2pnet.net/story/31097/comment-page-1#comment-990015 Reader's Write Mon, 16 Nov 2009 21:55:49 +0000 http://www.p2pnet.net/?p=31097#comment-990015 Good idea, but the NY publishing / performance / copyright lawyer mafia will not oppose it, and they have the money to buy off whomever is necessary. After all the system, which included the copyright law is designed to take from the weak and who is weaker than the poor from the third world. Good idea, but the NY publishing / performance / copyright lawyer mafia will not oppose it, and they have the money to buy off whomever is necessary. After all the system, which included the copyright law is designed to take from the weak and who is weaker than the poor from the third world.

]]> By: Reader's Write http://www.p2pnet.net/story/31097/comment-page-1#comment-989739 Reader's Write Fri, 13 Nov 2009 16:27:11 +0000 http://www.p2pnet.net/?p=31097#comment-989739 Whatever Crosbie. It is still a good write-up and I enjoyed it. Whatever Crosbie. It is still a good write-up and I enjoyed it.

]]> By: Crosbie Fitch http://www.p2pnet.net/story/31097/comment-page-1#comment-989727 Crosbie Fitch Fri, 13 Nov 2009 15:00:05 +0000 http://www.p2pnet.net/?p=31097#comment-989727 It is the 18th century privilege of copyright that leads to inaccurate attribution because people are then persuaded either to avoid crediting sources to avoid accusations of infringement, or to tell white lies to fix where the royalties go. With no copyright, people once again have no incentive to distort the provenance of a work or to misattribute it for good or ill. If the public is informed as to who did what, then it knows which artist to patronise for that aspect of the art. Similarly, each deriving artist, and each performer of the work, knows who to thank and who to sponsor. We do not need the privilege of preventing others sharing or building upon our published work, we only need others to be honest when they do so. It is the 18th century privilege of copyright that leads to inaccurate attribution because people are then persuaded either to avoid crediting sources to avoid accusations of infringement, or to tell white lies to fix where the royalties go.

With no copyright, people once again have no incentive to distort the provenance of a work or to misattribute it for good or ill.

If the public is informed as to who did what, then it knows which artist to patronise for that aspect of the art. Similarly, each deriving artist, and each performer of the work, knows who to thank and who to sponsor.

We do not need the privilege of preventing others sharing or building upon our published work, we only need others to be honest when they do so.

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