p2p news / p2pnet: “Jon, this is huge,” emails Canadian Net and copyright expert Dr Michael Geist. “Some very big names in Canadian music (Barenaked Ladies, Avril Lavigne, Sarah McLachlan, Chantal Kreviazuk, Sum 41, Sloan among others) have come out against P2P lawsuits, against statutory damages, against DRM, and against anti-circumvention legislation.”

Fronted by its CRIA (Canadian Recording Industry Association of America), the Big Four Organized Music cartel is trying to turn Canada into a mini-America where whatever the entertainment industry dictates, happens.

Now, as Geist points out, Canadian musicians and others have decided to take a stand in a new coalition called, appropriately, the Canadian Music Creators Coalition.

Members include, Barenaked Ladies, Avril Lavigne, Sarah McLachlan, Chantal Kreviazuk, Sum 41, Stars, Raine Maida (Our Lady Peace), Dave Bidini (Rheostatics), Billy Talent, John K. Samson (Weakerthans), Broken Social Scene, Sloan, Andrew Cash and Bob Wiseman.

In the US, it’s now routine for the Big Four, Warner Music, Vivendi Universal, EMI and Sony BMG, to fire subpoenas at music lovers, including young children, implying the documents amount to ‘prosecutions’.

Some 19,000 men, women and children have become terrified victims. And the record labels want to be able to launch their bizarre sue ‘em all marketing campaign in Canada, and elsewhere in the world.

They call music lovers thieves, although nothing has been stolen. They say a download equals a lost sale, although this has never, ever been demonstrated. They say file sharing is a crime, although there’s no such offence.

Imagine. Imagine if other artists around the world followed the Canadian lead.

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A NEW VOICE

We are a growing coalition of Canadian music creators who share the common goal of having our voices heard about the laws and policies that affect our livelihoods. We are the people who actually create Canadian music. Without us, there would be no music for copyright laws to protect.

Until now, a group of multinational record labels has done most of the talking about what Canadian artists need out of copyright. Record companies and music publishers are not our enemies, but let’s be clear: lobbyists for major labels are looking out for their shareholders, and seldom speak for Canadian artists. Legislative proposals that would facilitate lawsuits against our fans or increase the labels’ control over the enjoyment of music are made not in our names, but on behalf of the labels’ foreign parent companies.

It is the government’s responsibility to protect Canadian artists from exploitation. This requires a firm commitment to programs that support Canadian music talent, and a fresh approach to copyright law reform. Canadian music creators have identified three principles that should guide the copyright reform process.

1. Suing Our Fans is Destructive and Hypocritical

Artists do not want to sue music fans. The labels have been suing our fans against our will, and laws enabling these suits cannot be justified in our names. We oppose any copyright reforms that would make it easier for record companies to do this. The government should repeal provisions of the Copyright Act that allow labels to unfairly punish fans who share music for non-commercial purposes with statutory damages of $500 to $20,000 per song.

2. Digital Locks are Risky and Counterproductive

Artists do not support using digital locks to increase the labels’ control over the distribution, use and enjoyment of music or laws that prohibit circumvention of such technological measures. The government should not blindly implement decade-old treaties designed to give control to major labels and take choices away from artists and consumers. Laws should protect artists and consumers, not restrictive technologies. Consumers should be able to transfer the music they buy to other formats under a right of fair use, without having to pay twice.

3. Cultural Policy Should Support Actual Canadian Artists

The vast majority of new Canadian music is not promoted by major labels, which focus mostly on foreign artists. The government should use other policy tools to support actual Canadian artists and a thriving musical and cultural scene. The government should make a long-term commitment to grow support mechanisms like the Canada Music Fund and FACTOR, invest in music training and education, create limited tax shelters for copyright royalties, protect artists from inequalities in bargaining power and make collecting societies more transparent.

This entry was posted on Wednesday, April 26th, 2006 at 9:15 am and is filed under Uncategorized. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

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